Italian Experimental Films from the 1960s and 70s

Italian Experimental Films from the 1960s and 70s
8 1/2, Federico Fellini (1963)

Federico Fellini, 8 1/2, 1963. Courtesy BFI
Federico Fellini
8 1/2 1963
Courtesy BFI
Sunday 24 May 2009, 19.00

8 1/2, Fellini’s cinematic masterpiece from 1963, explores the alienating effect of modern society in an Italy then still in thrall to the economic miracle, in a manner which chimes with Arte Povera’s yearning for an agrarian and pre-industrialised society. Starring Marcello Mastroianni and shot in black-and-white by cinematographer Gianni di Venanzo, the film features a soundtrack by Nino Rota.

Courtesy BFI

Tate Modern  Starr Auditorium
Free, no bookings taken
Seated on a first-come, first-served basis


Italian Experimental Films from the 1960s and 70s
Around Arte Povera

Giosetta Fioroni, Gioco, 1967. Courtesy GAM, Turin
Giosetta Fioroni
Gioco 1967
Courtesy GAM, Turin
Sunday 24 May 2009, 15.00

This programme broadens the terrain around Arte Povera by screening seldom seen films by innovative but overlooked artists working in the same period, such as Gino De Dominicis, Giosetta Fioroni and Franco Vaccari.

Produced in collaboration with GAM

Tate Modern  Starr Auditorium
Free, no bookings taken
Seated on a first-come, first-served basis


Italian Experimental Films from the 1960s and 70s
Dissonant Dandy: Luigi Ontani

Luigi Ontani, Montovolo, 1970. Courtesy GAM, Turin
Luigi Ontani
Montovolo 1970
Courtesy GAM, Turin
Monday 25 May 2009, 19.00

Luigi Ontani came to prominence in Italy and internationally during the late 1960s and 70s with a series of performances and exhibitions. His dandy persona was deployed to re-enact a series of 'tableaux vivants' from folklore, fairy tales, mythology, art and history. From restaging Christopher Columbus' voyage traversing the Atlantic to reconstructing the camp postures and poses from paintings by Guido Reni, Ontani's idiosyncratic work represents a radical counter-position to that adopted by Arte Povera. The screening will be followed by a conversation between Ontani and artist Cerith Wyn Evans.

Tate Modern  Starr Auditorium
Free, no bookings taken
Seated on a first-come, first-served basis


by filmgrouplondon.com

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